AudioEase Altiverb 7Īltiverb remains the definitive Convolution Reverb, providing you with the opportunity to pass your sounds through impulse responses from a large and expandable collection of physical spaces. The word ‘classic’ isn’t an over-exaggeration when describing these effects, which are more affordable now than they were when first released. If you’re a film composer, the Hall, Concert Hall and Random Hall will all appeal, whereas the Plate reverb is a pop mix engineer’s go-to option and the Rooms are particularly great for drum ambience. Until the release of the Native Reverb bundle, this was tied to hardware however, so a suite featuring each of Lexicon’s classic algorithms hosted separately is a joy. Lexicon’s name as a provider of high-quality studio reverb is second to none, forged over years of ground-breaking digital technology. You can even go further and create entirely ‘random’ treatments by clicking a dice icon and testing your luck. ![]() So, if you want a subtle plate and an endless vapour-like wash to meet halfway, you can make that happen. As you’d hope, it provides an impressive array of reverb-shaping parameters, including independent control over High and Low Decay times but its most notable feature is that all of its presets are available via a ‘Preset Voyager’ mode, which lets you morph between preset parameter positions to create new hybrids. SparkVerb combines some unusual features with some classics but its inclusion here isn’t due to any gimmickry, but rather because it offers a combination of great sound and huge, unexpected flexibility. UAD’s emulation is pleasingly precise, capturing the spirit and sound of the hardware beautifully. While all of these are unique, there’s a continuity to what the RMX16 brings to mixing, which is a particularly musical feel the Ambience plug-in shimmers with beautiful top end, the Plates are vocal treatment classics whilst the Non-Lin algorithm has found favour with more artists than Phil Collins alone, working as a ‘sustaining’ and reinforcing influence on percussive sources aplenty. It offers a number of algorithms which can be considered as different sonic personalities. The AMS RMX16 is perhaps most famous for the Phil Collins tom fill which features in ‘In The Air Tonight’ but it’s capable of much more than gated reverb. Find out more about our diploma courses here. Not only will you learn the fundamentals of mixing and mastering, modules on composition, sound design and even music business mean you’ll be poised to take your music career to the next level. If you want to get your head around reverb, delays, spatial mixing and much more, our diploma courses are extremely comprehensive. Don’t agree or have something to add? Stick your suggestion in the comments! We narrowed it down to our top 10 reverb plugins every producer needs to consider for their mix. Not only are there many different types of reverb, once we move inside the box, there are hundreds of virtual models – everything from cheap spring reverbs to cavernous convolutions, recreating some of world’s most famous spaces. ![]() Either way, it’s one of the most important parts of our mix. ![]() In a mix, we have creative license of how we use and abuse reverb to place sounds in a space, either re-creating the real world or something new entirely with creative applications of the effect. ![]() It allows our ears to decode how close up or far away sound is, how large the space around it is and the materials the space is made up of. No sound occurs in the real world without reverb.
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